Thursday, March 29, 2018

I CAN ONLY IMAGINE (The Movie)


It is rare that a movie as deep and emotionally powerful as I CAN ONLY IMAGINE comes around.  Named after the song by MercyMe, this movie is based on the true story of MercyMe lead singer Bart Millard’s life, from his childhood days up to that moment when “I Can Only Imagine,” the song, topped the Christian music charts and established itself as what many consider to be the greatest song in music history.

 

J. Michael Finley stars at Bart Millard, playing the role so well that it is easy to forget that we are not watching the real Bart Millard.  The standout performance, however, comes from Dennis Quaid as Arthur Millard, Bart’s abusive father whose humanity still shines through, even when he is at his worst.  This is Dennis Quaid's greatest acting performance that I have ever seen. 

Bart did not have an easy childhood, but as we can trust from Romans 8:28, God worked it all together for good, as the music of MercyMe has touched the lives of millions, with “Almost There,” their debut album featuring “I Can Only Imagine,” going triple platinum, and counting. 

 

Country star Trace Adkins gives a strong performance as Scott Brickell, MercyMe’s manager who shows confidence in Bart’s abilities, but makes it clear that Bart truly shines when he sings songs that he genuinely feels passionate towards, in his heart. 

 

Without providing a spoiler and explaining why, the viewers will also likely leave the movie with a whole new level of respect for Amy Grant, who is played convincingly by Nicole DuPort. 

 

Madeline Carroll also shines as Shannon, Bart’s girlfriend, whose presence becomes a significant subplot in the story of MercyMe’s quest for stardom, and Bart’s relationship with his father.

 
There is so much more to say about what an amazing movie this is, but it is best if you just go and see for yourself.  You will feel the characters' emotions, and leave with an even greater appreciation for what is truly one of the greatest songs ever written, as the journey to that song was divinely ordained. 

This movie is definitely worth your time!
 
 
 
 
 

Tuesday, March 6, 2018

THIRTEEN REASONS WHY (Season 1)


THIRTEEN REASONS WHY is a controversial Netflix Series that has yielded a large spectrum of opinions and emotions from viewers and critics.  It appropriately has thirteen episodes and involves an ensemble cast of incredibly talented actors and actresses, all of whom truly become their characters on the screen.  Some of the characters are likeable, while some are despicable.  For the purpose of this review, I only provide pictures of the likeable youth in this show.  This review is loaded with spoilers, so for those who have not seen this show, but plan to, be warned.


The central character is Clay Jensen (Dylan Minnette) a high school student who is dealing with the death of two of his friends, one of whom, Hannah Baker (Katherine Langford) is a girl who Clay had a huge crush on, one that was reciprocated, but that never materializes into a steady relationship, both due to shyness, confusion, and typical high school male “nice guy” obliviousness on Clay’s end, and an acquired distrust in guys mixed with a low self-esteem, on Hannah’s end.  Clay is a very likeable protagonist who may have his flaws, but is a very relatable character in many ways.


Hannah’s suicide is exposition to the story.  The story begins when Clay returns home to find a mysterious box of seven two-sided audio cassette tapes, the final of which has a blank side B.  He begins to play the first tape and realizes that they were left by Hannah as audio suicide notes, each side of each tape implicating someone whose actions she regards as being responsible for her suicide.  The tapes include the warning that a second copy exists, and that if anyone destroys the first copy, the second copy will be broadcast in a very public manner.  Hannah gives the instruction and explanation that the tapes are to be listened to in their entirety in sequential order, and then passed on to the next person, the next reason.  The tapes initially were given from a third party friend who Hannah left them with, to the person implicated on tape 1 side A.  That person is then responsible for passing them off to the person implicated on tape 1 side B, until all thirteen people, all thirteen reasons have received the tapes, and heard all thirteen reasons Hannah gives for her suicide.  Clay is very upset that he is on the tapes, and does not know which number reason he is, or what he did to even be on the tapes.  We find out in the first episode, however, that Clay is not the first reason.


Right away, some people may take issue with this premise.  Deliberate unassisted suicide is ultimately a decision made strictly by the person committing the suicide.  It is a shunning of personal responsibility to blame it on even one second party, much less a multitude of others.  There is also the fear that this could plant ideas in the heads of others who are feeling suicidal, as a way to stick it to people who the suicidal feel have ruined their lives.  The show never brings up the alternative of forgiveness, through the grace of God, combined with an understanding that vengeance is the Lord’s.  It is therefore very understandable why some people would take issue with this show and refuse to let their own impressionable children watch it. 


On the other hand, this show helps reveal how extreme the consequences of what may come across as minor bullying behaviors can be.  The messages can help teens think twice before treating others with a disregard for their feelings and emotions.  It also reveals to parents, the living hell that even their seemingly well-adjusted teenagers may be experiencing in the war zones that we refer to as schools.


All thirteen episodes constantly weave back and forth on the timeline, showing things that happened during the time frame of Hannah’s tapes, and the present tense of Clay listening to the tapes, and processing everything that is going on.


Reason one was that a guy named Justin (Brandon Flynn), who Hannah went on one date with took a racy photo of Hannah when she was sliding down a slide in a skirt.  He proceeded to show the photo around at school, as it got texted around school, accompanied by the untrue claim from Justin that he had sexual intercourse with Hannah.  Justin is the type of guy who “nice guys” detest in that he radiates sleaze that every guy can clearly see, yet some young ladies have trouble detecting.  Even when some young ladies see it, they feel sorry for him over his unhealthy home situation, while the “nice guy,” in this case, Clay, feels slighted, jealous, and devastated that the girl of his fancy would even as much as consider talking to a guy like that, much less dating him.


Reason two was that Hannah’s friend Jessica (Alisha Boe) stopped being friends with her, under the false impression that Hannah was messing around with Jessica’s then boyfriend.  Jessica was totally wrong, and her faulty allegation hurt Hannah badly.  Jessica remains a rather dislikeable character throughout the show, both due to her off-putting arrogant personality, and her intolerable naivety in her eventual dating of Justin.


Reason three was that Hannah’s friend Alex (Miles Heizer), Jessica’s exboyfriend, put Hannah’s name down on a dehumanizing, objectifying list of girls in the school as the girl who has the best butt.  This led to Hannah being further viewed as an object, even to the point of being physically harassed as a senior boy grabbed her butt.  Alex made this terrible mistake, but overall, he was a likeable character who showed genuine remorse for his behavior.  Unfortunately, in the final episode, it is revealed that he was in the hospital, due to a self-inflicted gunshot wound to the head.  Last we hear is that he is in critical condition.


Reason four was that a peeping tom classmate named Tyler (Devin Druid) was standing outside Hannah’s window, and snapping pictures.  He eventually got a picture of Hannah kissing another girl.  Hannah was not a lesbian.  This girl dared her to do it.  Tyler, for his part, despite his completely inappropriate stalking behavior, became a comparatively likeable character, as a frequent victim of bullying, himself.  Towards the end of the thirteen episodes, his likeability dramatically decreases, as Tyler amasses an arsenal of weapons, and hangs pictures of his intended targets for his hit list.  Season one ends, however, before he executes these actions.  Still, it provides insight into the mind of a school shooter. 


Reason five was that the girl who Hannah kissed, Courtney (Michele Selene Ang) , when pressed on the manner, claimed that it was part of a sexual encounter that involved a guy.  She was willing to further throw Hannah’s reputation under the bus, in this manner, to protect her two gay fathers.  Courtney did not want to admit to being a lesbian, because she felt that those who oppose gay adoptions would have a field day with the idea that the adopted daughter of two gay men would turn out gay, too.  Regardless of the show’s intent, or the fact that the characters were fictional, the message sent was that children of gay couples have to furthermore fear that if they were to come out as gay, their homosexuality will be used as evidence to fuel an agenda to oppose allowing gay couples to adopt.   Courtney never becomes a likeable character on the show, and seems to lack both integrity and remorse to the very end of the season.


Reason six is a guy named Marcus (Steven Silver) who asks her out on a date, shows up late, and then tries to make a sexual move on her, in front of other guys.  She aggressively rejects his advance, to which he replies with verbal aggression.  Marcus never seems to show remorse, lacks integrity to the end, and even frames Clay for drugs, by planting them on him.  He never becomes a likeable character.


Reason seven is a guy named Zach (Ross Butler) who tries to pick up the pieces where Marcus left Hannah.  Zach later tries to ask her out, but did not choose his words well.   Hannah assumes the worst about him and very publicly rejects him, which embarrasses him.  This is partially on Hannah, but she doesn’t see it that way.  In a class that Hannah and Zach share, the students write kind notes to each other, and put them in boxes within the classroom.  These kind notes helped encourage Hannah, until Zach decided that he would steal all of Hannah’s notes, thereby depriving her of her one source of encouragement.  Zach comes to deeply regret his actions, with genuine remorse, honesty, and decency.  He messed up, but was ultimately a likeable character.


Reason eight is a guy named Ryan (Tommy Dorfman) who is a classmate of Hannah’s who also took a poetry class with her, outside of school.  Ryan plays a strong role with the school magazine, and published a personal poem of Hannah’s without Hannah’s permission, thereby violating a trust that Hannah had with him.  Ryan comes across as snobbish and unrepentant, never being a likeable character.


Reason nine is Justin, once again.  At this point in the story, Justin is dating Jessica.  There is a party at Jessica’s house.  Hannah ends up in a closet, and becomes an eye witness to Jessica getting raped by another guy named Bryce (Justin Prentice), while Justin fails to do enough to protect Jessica from this situation.  The scene is not overtly graphic, and includes quick cuts.  Nevertheless, it can be a very difficult scene for some viewers to take, due to the subject matter, so caution is advised for episode nine.


Reason ten is a girl named Sheri (Ajionda Alexus) who is likeable from the start, and all throughout, with the exception of one, quite literally fatal mistake that she made, while driving Hannah home from that party.  She crashes into a stop sign and knocks it over without damaging her car, fails to report it, and leaves Hannah at the roadside when Hannah insists that she report it.  Another classmate, a likeable character named Jeff (Brandon Larracuente) gets into an accident at that intersection and dies, the other aforementioned friend of Clay’s who ends up dead.  Sheri initially is in denial that her actions are responsible for Jeff’s death.  That is a normal and totally understandable human reaction.  Sheri eventually accepts responsibility, feels deep regret and eventually reports what she has done to 9.1.1.  She even helps the other people who were involved in the accident, but survived.  The show does not reveal the outcome for her.


Jeff was a likeable character during the flashback scenes in which he appeared.  He had been like a mentor to Clay, trying to encourage him to more aggressively, yet respectfully, pursue Hannah, romantically.  Clay meanwhile tutored Jeff, academically.


Reason eleven is Clay, but on this one, Hannah assumes personal responsibility.  At that same party, Clay and Hannah eventually started making out, in a bedroom.  Hannah suddenly pictures every guy she had been in any way involved with before, falsely attributes their personalities to Clay, and tells Clay to stop and leave, Clay not understanding what he did wrong.  Clay leaves, and then Hannah hides in the closet when Justin and Jessica enter the room, hence the background to the start of her night.  Hannah realizes she blew her chance with a guy who truly liked her.  Clay was dismissive of her afterwards, understandably, yet something he deeply regrets, after Hannah’s suicide.  Clay wishes he didn’t leave the room, and that he had told her how he truly felt about her, that night, feeling that she would still be alive, had he said that.  An alternate scene plays in Clay’s mind, he reacting in the way he wishes he did.  Personally, however, I feel that Clay acted the way he needed to.  When a girl aggressively tells a guy to leave, he needs to leave, even if he doesn’t feel like he has done anything wrong.


Reason twelve is Bryce.  He rapes Hannah in a scene that is far more graphic than the scene involving Jessica.  This takes place in a hot tub, at a party.  Clay, upon hearing the tape, goes over to Bryce’s house, having wired himself, and manages to get somewhat of a confession out of Bryce, which becomes side B to Hannah's seventh tape.  Bryce is obviously never a likeable or remorseful character.


Reason thirteen is Kevin Porter (Derek Luke), Hannah’s guidance counselor.  At this point, Hannah had recorded the first twelve tape sides and then decided to seek help, from her school guidance counselor, Kevin Porter.  Hannah implied that she was suicidal, and implied that she was raped, but would not reveal the rapist’s name, out of fear of further retaliation.  When Kevin told her that if she is not willing to reveal the name, another option she had was to move on, she disgustedly walked out of his office, hoping that he would follow her out, but he didn’t.  Clay never gave the tapes to Bryce.  He skips over Bryce and gives the tapes straight to reason thirteen, Kevin Porter, along with tape 7, side B which was Bryce’s confession obtained by Clay.  Episode thirteen includes the very graphic scene of Hannah sitting in her bathtub, with a shirt on, and gashing her arms with a razor.  This scene contains a lot of blood and is not for the faint of heart.


Hannah’s parents are never portrayed in a negative way, which is a huge plus to the show, showing that these type of things can happen to children of loving, responsible, and involved parents. 


There are several other characters of significance, as well.  Most notably is Tony (Christian Navarro), a rather mysterious character, but the one who Hannah trusted with a back-up copy of the tapes, and the responsibility of giving the originals to Justin, to start the whole thing going.  Tony became like a mentor to Clay, as Clay went through the tapes.  Tony was likeable at times, but annoying at other times.  Tony was insistent that things be done the way Hannah wanted them done, but eventually (major spoiler) comes around, shows remorse for his own poor judgment call, and places the contents of the tapes, including the one Clay recorded, on the equivalent of a flash drive which he chooses to give to Hannah’s parents.


There is a character named Montgomery (Timothy Granaderos) who is the stereotypical bully, really the only stereotyped one-dimensional character in the entire show.  He is surprisingly not listed as one of the thirteen reasons, even though he was largely responsible for Courtney’s lie about the reason behind her behavior with Hannah.  Montgomery never becomes likeable at all.  At one point, he gets into a serious fight with Alex, which Montgomery unfortunately wins, at least in terms of who hurts who more.


The final character worthy of mention is Skye (Sosie Bacon, yes Kevin and Kyra’s daughter) who is highly likeable from her first appearance.  She is somewhat of a social outcast, but comes across as approachable, from a “nice guy” perspective, like she wouldn’t be too stuck up to give you the time of day.  She is a cutter, which is merely glanced over in the show, a serious issue impacting many teen girls, an issue that will hopefully be addressed responsibly with more detail in the next season.  Skye was a childhood friend of Clay’s, but their relationship was strained throughout high school, until the very end when Clay, after realizing how he messed up with Hannah, reaches out to Skye, asking her to hang out, which she accepts.  While there is no indication of romance between Clay and Skye, the possibility is definitely open for Season Two.


While THIRTEEN REASONS WHY is definitely not for everyone, and I respect parent decisions to not expose their children to the show, I personally feel that there are some powerful statements made about how teenagers treat each other, and what the end results can be.  Kindness and decency are ultimately extolled amidst the violence and often excessive, yet all too realistic use of cuss words.  We see how one guy harming a girl’s reputation leads to a string of events that eventually leads to her making the free choice to take her own life.  We see technology’s role in Hannah’s demise.  The show is a lot to take in.  While some people believe it could lead to the glamorization of suicide, I believe the messages, if adhered to by bullies, or potential bullies, could help save lives.  If you want to see something emotionally intense, THIRTEEN REASONS WHY is worth your time.




Thursday, November 9, 2017

RIVERDALE (Episode 18)



I fancy myself as the type of person who is not manipulated by media propaganda, but stands firmly anchored on God’s all-knowing, all-loving, and unchanging truth.   I research my facts, and formulate my thoughts through logical reasoning.  I am well aware of the media’s slick and tireless attempts to deceive people into supporting evil, with the shrewdness to cater to our strongest sensibilities and deepest emotions, to the point where our thoughts become twisted to believe that right is wrong and wrong is right.

 

Thus, it is to my own shame that, while watching Episode 18 of RIVERDALE on the CW Network, last night, I somehow let my guard down.  How, in less than an hour, was I deceived into HATING a new character so much, that I was happy to see (spoiler alert) when Betty (Lili Reinhart), under duress, cooperated with the show’s central villain (The Black Hood) to put a hit out on him?   Read on.

 

To give some background on the show, for those who are not familiar, RIVERDALE is based on the characters in the Archie comics.  There is a character on the show known merely as “The Black Hood,” whose actual identity is the central mystery surrounding this season of the show.  The Black Hood has attempted to murder Archie’s father, Fred Andrews (Luke Perry.)  The Black Hood had murdered Miss Grundy (Sarah Habel), one of the former teachers at Archie’s high school, and shot at Moose (Cody Kearsley) and Midge (Emilija Baranac), both of whom survived.  Suddenly, the Black Hood has started to make some phone calls to Betty, who has the Chordettes’ “Lollipop” as her ring tone.   The Black Hood is forcing Betty to do some terrible things, with the threat that Betty’s older sister Polly (Tiera Skovbye) would be murdered, if Betty does not cooperate.

 



Archie (KJ Apa) is romantically involved with Veronica (Camila Mendes.)  Veronica’s parents are about to enter a major business deal with a family from another town, where they once lived.  That family has a son named Nick St. Clair (Graham Phillips) who is Archie and Veronica’s age, and a childhood “friend” of Veronica’s.   From the moment Nick enters the scene, he just emanates sleaze, at least from a male perspective.  He appears to be the type of cocky jerk who would knowingly and shamelessly try to seduce another man’s girlfriend, fiancé, or wife, without a second thought.  Men can identify these types of scumbags instantly, by the expression on their faces.  For some reason, many women, especially fans of gangsta rap, tend to have a more difficult time seeing past these scuz buckets’ charm and appearance, a fact that makes these men all the more despicable to decent men.  In talking to her other friends, Veronica praises Nick to the skies, something that naturally would make Archie’s radars go up.  When Archie is in the room with Veronica, Nick proceeds to make flirtatious comments towards Veronica, as if Archie and his relationship with Veronica mean nothing.  Nick proceeds to influence Veronica, Archie, and many of their friends, to take Jingle Jangle, the drug of choice among the teens in Riverdale.  When Archie and the other friends eventually leave the room, leaving Nick and Veronica alone, Nick tries to aggressively seduce Veronica, to the point where it becomes sexual assault.  Nick even badmouths Archie to Veronica and suggests that Nick’s parents won’t make the deal with Veronica’s parents unless Veronica gives in to Nick’s sexual demands.  Veronica has none of it, as she slaps Nick across the face.  I must say, as happy as I was that Veronica did not yield to Nick’s advances, I was hoping she would kick him where it counts, instead of a mere slap to the face.  Regardless, Nick’s behavior triggers extremely angry emotions both in  any man who has ever witnessed another man trying to hit on his girlfriend, fiancé, or wife, and in any woman who was ever a victim of aggressive unwelcome sexual advances. 

 
The following day, Nick tries to pass himself off as a decent guy to Veronica, even apologizing for his behavior, the typical male reaction when the woman doesn’t give in, sexually, hoping that if the aggressive behavior doesn’t work, playing the “I’m really a decent guy who made a mistake,” card might work.  Veronica is cordial to him and understanding, which undoubtedly would have made Archie furious at them both, had he known.

 

Cheryl Blossom (Madelaine Petsch) takes notice of Nick and is not the least bit subtle about her attraction towards him.  Nick reciprocates the attraction, but discreetly slips a date rape drug into her drink.  Josie (Ashleigh Murray) & the Pussycats, Valerie (Hayley Law) and Melody (Asha Bromfield) are performing a song live, with Veronica, when they notice that Cheryl appears drowsy as Nick is guiding her away to a hotel room.  They quickly follow, as Nick places Cheryl down onto a bed, with plans to rape her.  Veronica, Josie, Valerie, and Melody arrive in time to prevent the rape from happening, as they aggressively gang assault Nick, much to the delight of all the fans watching the show.  The only downside for me was that Archie wasn’t there to get any shots in.  Still, I can understand from the perspective of female viewers, especially those who have been victimized themselves, that seeing the heroes all being female was likely a very empowering moment that I would not deny them.

 

Meanwhile, the Black Hood has told Betty to publish a scandalous article about her own mother, Alice (Mädchen Amick), to sever ties with Veronica, and to break-up with her boyfriend Jughead (Cole Sprouse.)  These are all heartbreaking moments, as Veronica and Betty were best friends, and the relationship between Jughead and Betty was a highly likeable one.  Nevertheless, to stop the Black Hood from committing more acts of murder, Betty succumbs to the Black Hood’s requests.

 

In the final scene of the episode, Betty receives another phone call from the Black Hood.  The Black Hood is angry with Betty, because Betty had informed Archie about the phone calls.  The Black Hood claimed that Polly would now be killed.  Betty begged the Black Hood not to harm Polly.  The Black Hood was willing to negotiate, telling Betty that if Polly was not to be the next victim, Betty would have to declare who the next victim would be…

 

It is at this moment that many RIVERDALE fans, including me, were manipulatively drawn into absolute darkness and evil thinking.  While some of us may justly support capital punishment for SOME convicted felons, suddenly we found ourselves not only supporting, but excited about the prospect of cold blooded murder by a serial killer, as long as the victim was the exact person who Betty named and revealed the location of, “Nick St. Clair.” 

 

Wow!  I realized what had happened to me, before the ending credits finished, but how did that happen to me?  I considered myself better than that.  The reality is that I was manipulated in the exact same way the media deceived so many decent people into hating Donald J. Trump.  They played upon our emotions and sensibilities, in order to get us to hate a fellow human being.  Granted, in the case of Nick St. Clair, it is a fictional character, but did we not all identify him with someone we once knew or knew of, someone real?  Love and forgiveness, found by God’s grace is the answer, the only way to healing.  With today’s media, and current levels of hatred that it has provoked and is provoking among Americans, our guards must be up even higher, as we pray for God’s protection against the snares of the devil.  We should pray for the redemption of all our enemies, by the grace of God who wills for all to be saved and come to knowledge of the truth.  The writers of RIVERDALE were able to present a story with such a strong emotional pull, that in less than an hour, the viewers aligned themselves with the mindset of the central villain, a cold blooded serial killer.  That is scarier than any fictional horror story ever written.

 

This was more than merely an episode of a television show.  It was a social experiment in using media to manipulate and control minds, even of people who are hyper-alert to the ways of media propaganda and deception.  Even my wonderful wife(who consented to me writing this), who is always kindhearted to everyone, was drawn into the same trap as I was, in hoping Betty would answer, “Nick St. Clair.”  Excellent acting, directing, and writing from all involved, but at the same time, terrifying to see how quickly and easily our minds were drawn in a direction that we would not willingly choose to take them.

 

I am looking forward to next week’s new episode of RIVERDALE on the CW Network at Wednesday, November 15, at 8:00P.M. EST.

Sunday, October 22, 2017

Sean Frank Fallon

Sean Frank Fallon's Website Welcome, and thank you for visiting my page. I am Sean Fallon, an independent film maker, a writer, and a reviewer of theater, film, and television. From here, you can link to my short films, reviews, spoof articles, and more. You can see my LinkedIn profile at LinkedIn

Short Films

These are short films that I wrote and directed, with the exception of HOCUS POCUS which is a remake of a scene from the 1993 Disney film, the remake directed by me.

Theater Reviews

Movie Reviews

Television Reviews

Spoof Articles
These are entirely fictional articles that I wrote for an online tabloid. Some have been written as early as 2008 and may therefore contain material that is dated. Articles are listed from most recent to oldest.
Celebrity Interviews
These are mock interviews with real celebrities, using footage from real interviews, but with my own questions spliced in. Interviews are conducted either by my wife, my nephew, my friend, or me. New questions are all written by me. The new editing is all done by me using Adobe Premiere Elements 15. I do some voice impersonations. VOICE IMPERSONATIONS

Monday, October 16, 2017

WILL Episode 10


WARNING: Spoilers are included

 

The tenth and final episode of the first season of WILL brings the story together nicely.  As someone who has watched and reviewed all ten episodes, I have to say that WILL has been one of the best new shows of 2017.  While some of the subject matter makes it suitable for mature audiences only, the world would be a better place if more television contained the overall message and tone that is consistent throughout all ten episodes of WILL. 
 

 

Will rescues Alice from Richard Topcliffe’s prison, at the beginning of the episode.  Richard Topcliffe is furious to find out that Alice escaped.  When Will returns to the Burbage family, with Alice, they are happy to see them both, until Will admits his love for Alice, to her brother, Richard Burbage.

 

Will insists that Richard Topcliffe must be murdered, but Alice begs him to defeat Topcliffe by exposing him in the play, which was the original plan.  The Burbage family is initially hesitant on the idea, believing that such a strong political message behind a play puts all their lives in jeopardy.  The rest of the cast is also apprehensive, one even stating, “We are merely players.”  Richard Burbage, however, comes around to believe that the play is their best chance of defeating Richard Topcliffe, and he leads the charge in convincing the others, including his father, that this is the way to best expose Richard Topcliffe, thereby preventing Queen Elizabeth 1 from elevating Richard Topcliffe to a higher position that would make Richard Topcliffe the most politically powerful man in England.

 

Will invites Richard Topcliffe and his family to attend the play.  Richard Topcliffe accepts, under the false premise that he believes the character that represents him would portray him in a positive manner.

 

Christopher Marlowe also attends the play, having heard that his idea of the devil onstage, although figuratively, would come to fruition in this play.

 

Richard Burbage, who throughout the series has wanted that stellar breakthrough acting role is cast as the man who is to represent Richard Topcliffe.  Not only does Richard Burbage excel in this role, from the fictional acting perspective, but Mattias Inwood, the actor who plays Richard Burbage steals the show WILL in this episode, in what becomes not only a showcase for his character, but a showcase for him, in his stunningly precise replication of Richard Topcliffe’s mannerisms, selling the character both to the fictional audience on the show, and to the real audience watching at home.

 

Richard Topcliffe becomes upset when he realizes that the show is not portraying him in a positive light.  Showing tremendous courage, even Presto appears on stage, partaking in this political takedown of Richard Topcliffe.  When Alice seems to appear (whether for real or merely in Richard Topcliffe’s mind), Richard Topcliffe runs up onto the stage, demanding the show be stopped, making a total fool of himself, in front of the huge crowd, a crowd that thoroughly enjoyed the production, insuring Richard Topcliffe’s political doom.

 

After the show, Alice leaves the area, on a ship with Robert Southwell and many others.  She leaves a note behind for Will, ensuring him that she loves him and was glad to have met him, but that the path of her future lies apart from him, as she needs to fully discover herself living out her Catholic journey for this life. 

 

This was a very fitting ending to a wonderful show.  It was not the stereotypical trite ending in which the male protagonist overcomes his obstacle, and therefore wins his prize (the girl) who the show’s tone suggests he is automatically entitled to, as if she is less than a person and has no freewill or mind of her own.  Rather, Alice is shown as a likeable strong woman who, once giving her heart to God, has been transformed by His grace into someone who makes intelligent, moral, and loving decisions, including the choice not to pursue romance with a married man.  She places what is right in God’s eyes ahead of what her own fleshly desires yearn towards.   This character arc of Alice is one of the all time greatest in television history, especially to see God’s grace as a motivating factor for a character’s unmistakably noticeable positive change, on a secular show.

 

As a devout Catholic, I am happy to see how my religion and those who practice my Faith are portrayed in a very positive light throughout the entire ten episode show.  It is also great to see that a persecutor of Catholics is portrayed in an extremely negative manner throughout the entire ten episode show.  WILL also shows the incredible danger to Catholics that would exist if an anti-Catholic leader gains a prominent position of authority in a place that does not allow private citizens to carry guns.  As an American Catholic, I am not lost on the fact that the political party that opposes TRUE Catholicism is the same political party that opposes guns.  I hope more shows like WILL come along, extolling decency while appealing to a wide audience.  The writers and the cast have truly created something that is well worth your time.  Will there be a second season of WILL?  I don’t know.  As much as I would like to see more, I am thoroughly satisfied with the way the show ended.  I hope to see these cast members, again, in future shows, and I hope that these writers have more scripts produced!

 

Monday, October 9, 2017

UHF


"Put down your remote control.  Throw out your T.V. Guide." 

 
 
 
 
 
 
 
 
The 1989 Cult Classic Film UHF is still entertaining 28 years later.  Written by “Weird Al” Yankovic and Jay Levey, the humor is mostly family-friendly and timeless in its brilliance.  In fact, the central villain, R.J. Fletcher (Kevin McCarthy) reflects an attitude even more prominent in today’s mainstream media than in the media of 1989.  “…But there is one good thing about broadcasting to a town of mindless sheep.  I always know I have them exactly where I want them.  Ha, ha, ha, ha, ha.”

 

“Weird Al” Yankovic plays George Newman, a man with an incredible imagination, one that interferes with his work, causing him to bounce from job to job, until the right job finally comes along, manager of a UHF television station, owned by his Uncle Harvey (Stanley Brock.)

 

Assisted by his friend, Bob (David Bowe) , George begins work at the station.  The receptionist, Pamela Finklestein (Fran Drescher) is furious that she has not yet been promoted to news, after two years, because her bosses keep changing.  Philo (Anthony Geary) is a mysterious mad scientist, a technical engineer who lives at the station.  Noodles MacIntosh (Billy Barty) is a midget cameraman.  Lou B. Washington plays a much taller cameraman.  This is essentially the complete employee list at the UHF station, until they acquire a quirky but likeable janitor, Stanley Spadowski (Michael Richards.)   Michael Richards plays this slapstick role in such a talented manner that no actor after him has ever quite succeeded the way he has in this type of role.

 

The station plays a bunch of re-runs and is on the brink of bankruptcy.  George tries to liven it, but his new shows tank, like Uncle Nutsy’s Clubhouse, starring George Newman as Uncle Nutsy, and a show with shop teacher Joe Earley (Emo Phillips) in which Joe accidentally cuts his own finger off and has a relatively nonchalant attitude about it, given the magnitude of the situation. 

 

George’s girlfriend Teri (Victoria Jackson) breaks up with him after the distress of the station’s slow demise makes George forget to meet Teri and her parents out for a dinner that he arranged for her birthday.  This compounds George’s depression over his failure at the UHF station.  He gets to the point in which he wants to give up on the whole thing, and start drinking for the first time.  Bob convinces him that he can’t just walk out on the show, so George gives Stanley a chance to star in the show, as George and Bob head over to the bar, Bob for a beer, George for a blueberry daiquiri.

 

The UHF station is playing at the bar, as the new show, Stanley Spadowski’s Clubhouse has an instantly packed audience of kids and their parents, while also reaching popularity with the bar crowd.  As an instrumental rendition of “Battle Hymn of The Republic” plays in the background, Stanley gives a motivational speech...

 

“Sometimes you just hafta take what life gives ya, 'cause life is like a mop and sometimes life gets full of dirt and crud and bugs and hairballs and stuff... you, you, you gotta clean it out. You, you, you gotta put it in here and rinse it off and start all over again and, and sometimes, sometimes life sticks to the floor so bad you know a mop, a mop, it's not good enough, it's not good enough. You, you gotta get down there, like, with a toothbrush, you know, and you gotta, you gotta really scrub 'cause you gotta get it off. You gotta really try to get it off. But if that doesn't work, that doesn't work, you can't give up. You gotta, you gotta stand right up. You, you gotta run to a window and say, ‘Hey! These floors are dirty as hell, and I'm not gonna take it anymore!’"  The bar crowd cheers, motivating George and Bob to return to the station and give Stanley that show to be his show everyday.

 

It is not long before UHF becomes number one in the ratings, beating out R.J. Fletcher’s Channel 8.  They think of ideas for some more shows to bring their station that much higher.

 

One such show, Raul’s Wild Kingdom features Raul Hernandez (Trinidad Silva) who sticks a turtle to the ceiling, shakes up an ant farm, and throws poodles out the window, claiming he is trying to make them fly, which they don’t.  This is an excellent performance by a talented actor who unfortunately passed away before all the filming was complete, thereby limiting his role in the film.

 


Another show is Wheel of Fish, hosted by George’s friend Kuni (Gedde Watanabe), the actor known for playing Long Duk Dong in Sixteen Candles.  On Wheel of Fish, a contestant spins a wheel that contains a bunch of fish.  She is given the option of either choosing the fish that her spin lands on, or choosing what is inside a box.  She chooses the box.  When the contents of the box are revealed, Kuni exclaims the results, “Nothing, absolutely nothing!  Stupid!  You’re so stupid!”

 

Things are going quite well until George’s Uncle Harvey runs himself into a gambling debt of $75,000.00.  His plan is to sell the UHF station to R.J. Fletcher.  The movie proceeds with the goal of George and friends trying to save the station, and for George to rekindle his relationship with Teri.


This movie introduces a new gourmet delicacy to the world, the Twinkie Wiener Sandwich!  This is made by taking a Twinkie, splitting it like a hot dog bun, placing the hot dog in, and then spraying easy cheese on top.  You may think that sounds completely disgusting, but don't knock it until you try it! 

 

Parodies of Raiders of the Lost Ark, Gandhi, Conan the Barbarian, Geraldo, Gone with the Wind, Treasure of the Sierra Madre, and Rambo all enhance the humor, as do the spoof commercials like Spatula City and Plots R. Us.  References to the Shining and Star Wars are also subtly made.  "Weird Al" Yankovic's band members (Jim West, Steve Jay, and Bermuda Schwartz) make a cameo appearance in a video and song parody of Dire Straits’ “Money for Nothing.” 

 

If you want to see one of the greatest movies of the 1980s, one that did not come with the same fanfare as many others, yet rivals them in quality, I highly recommend UHF, especially if you are a fan of satire and clean comedic humor.  It is worth your time!