Thursday, November 9, 2017

RIVERDALE (Episode 18)



I fancy myself as the type of person who is not manipulated by media propaganda, but stands firmly anchored on God’s all-knowing, all-loving, and unchanging truth.   I research my facts, and formulate my thoughts through logical reasoning.  I am well aware of the media’s slick and tireless attempts to deceive people into supporting evil, with the shrewdness to cater to our strongest sensibilities and deepest emotions, to the point where our thoughts become twisted to believe that right is wrong and wrong is right.

 

Thus, it is to my own shame that, while watching Episode 18 of RIVERDALE on the CW Network, last night, I somehow let my guard down.  How, in less than an hour, was I deceived into HATING a new character so much, that I was happy to see (spoiler alert) when Betty (Lili Reinhart), under duress, cooperated with the show’s central villain (The Black Hood) to put a hit out on him?   Read on.

 

To give some background on the show, for those who are not familiar, RIVERDALE is based on the characters in the Archie comics.  There is a character on the show known merely as “The Black Hood,” whose actual identity is the central mystery surrounding this season of the show.  The Black Hood has attempted to murder Archie’s father, Fred Andrews (Luke Perry.)  The Black Hood had murdered Miss Grundy (Sarah Habel), one of the former teachers at Archie’s high school, and shot at Moose (Cody Kearsley) and Midge (Emilija Baranac), both of whom survived.  Suddenly, the Black Hood has started to make some phone calls to Betty, who has the Chordettes’ “Lollipop” as her ring tone.   The Black Hood is forcing Betty to do some terrible things, with the threat that Betty’s older sister Polly (Tiera Skovbye) would be murdered, if Betty does not cooperate.

 



Archie (KJ Apa) is romantically involved with Veronica (Camila Mendes.)  Veronica’s parents are about to enter a major business deal with a family from another town, where they once lived.  That family has a son named Nick St. Clair (Graham Phillips) who is Archie and Veronica’s age, and a childhood “friend” of Veronica’s.   From the moment Nick enters the scene, he just emanates sleaze, at least from a male perspective.  He appears to be the type of cocky jerk who would knowingly and shamelessly try to seduce another man’s girlfriend, fiancé, or wife, without a second thought.  Men can identify these types of scumbags instantly, by the expression on their faces.  For some reason, many women, especially fans of gangsta rap, tend to have a more difficult time seeing past these scuz buckets’ charm and appearance, a fact that makes these men all the more despicable to decent men.  In talking to her other friends, Veronica praises Nick to the skies, something that naturally would make Archie’s radars go up.  When Archie is in the room with Veronica, Nick proceeds to make flirtatious comments towards Veronica, as if Archie and his relationship with Veronica mean nothing.  Nick proceeds to influence Veronica, Archie, and many of their friends, to take Jingle Jangle, the drug of choice among the teens in Riverdale.  When Archie and the other friends eventually leave the room, leaving Nick and Veronica alone, Nick tries to aggressively seduce Veronica, to the point where it becomes sexual assault.  Nick even badmouths Archie to Veronica and suggests that Nick’s parents won’t make the deal with Veronica’s parents unless Veronica gives in to Nick’s sexual demands.  Veronica has none of it, as she slaps Nick across the face.  I must say, as happy as I was that Veronica did not yield to Nick’s advances, I was hoping she would kick him where it counts, instead of a mere slap to the face.  Regardless, Nick’s behavior triggers extremely angry emotions both in  any man who has ever witnessed another man trying to hit on his girlfriend, fiancé, or wife, and in any woman who was ever a victim of aggressive unwelcome sexual advances. 

 
The following day, Nick tries to pass himself off as a decent guy to Veronica, even apologizing for his behavior, the typical male reaction when the woman doesn’t give in, sexually, hoping that if the aggressive behavior doesn’t work, playing the “I’m really a decent guy who made a mistake,” card might work.  Veronica is cordial to him and understanding, which undoubtedly would have made Archie furious at them both, had he known.

 

Cheryl Blossom (Madelaine Petsch) takes notice of Nick and is not the least bit subtle about her attraction towards him.  Nick reciprocates the attraction, but discreetly slips a date rape drug into her drink.  Josie (Ashleigh Murray) & the Pussycats, Valerie (Hayley Law) and Melody (Asha Bromfield) are performing a song live, with Veronica, when they notice that Cheryl appears drowsy as Nick is guiding her away to a hotel room.  They quickly follow, as Nick places Cheryl down onto a bed, with plans to rape her.  Veronica, Josie, Valerie, and Melody arrive in time to prevent the rape from happening, as they aggressively gang assault Nick, much to the delight of all the fans watching the show.  The only downside for me was that Archie wasn’t there to get any shots in.  Still, I can understand from the perspective of female viewers, especially those who have been victimized themselves, that seeing the heroes all being female was likely a very empowering moment that I would not deny them.

 

Meanwhile, the Black Hood has told Betty to publish a scandalous article about her own mother, Alice (Mädchen Amick), to sever ties with Veronica, and to break-up with her boyfriend Jughead (Cole Sprouse.)  These are all heartbreaking moments, as Veronica and Betty were best friends, and the relationship between Jughead and Betty was a highly likeable one.  Nevertheless, to stop the Black Hood from committing more acts of murder, Betty succumbs to the Black Hood’s requests.

 

In the final scene of the episode, Betty receives another phone call from the Black Hood.  The Black Hood is angry with Betty, because Betty had informed Archie about the phone calls.  The Black Hood claimed that Polly would now be killed.  Betty begged the Black Hood not to harm Polly.  The Black Hood was willing to negotiate, telling Betty that if Polly was not to be the next victim, Betty would have to declare who the next victim would be…

 

It is at this moment that many RIVERDALE fans, including me, were manipulatively drawn into absolute darkness and evil thinking.  While some of us may justly support capital punishment for SOME convicted felons, suddenly we found ourselves not only supporting, but excited about the prospect of cold blooded murder by a serial killer, as long as the victim was the exact person who Betty named and revealed the location of, “Nick St. Clair.” 

 

Wow!  I realized what had happened to me, before the ending credits finished, but how did that happen to me?  I considered myself better than that.  The reality is that I was manipulated in the exact same way the media deceived so many decent people into hating Donald J. Trump.  They played upon our emotions and sensibilities, in order to get us to hate a fellow human being.  Granted, in the case of Nick St. Clair, it is a fictional character, but did we not all identify him with someone we once knew or knew of, someone real?  Love and forgiveness, found by God’s grace is the answer, the only way to healing.  With today’s media, and current levels of hatred that it has provoked and is provoking among Americans, our guards must be up even higher, as we pray for God’s protection against the snares of the devil.  We should pray for the redemption of all our enemies, by the grace of God who wills for all to be saved and come to knowledge of the truth.  The writers of RIVERDALE were able to present a story with such a strong emotional pull, that in less than an hour, the viewers aligned themselves with the mindset of the central villain, a cold blooded serial killer.  That is scarier than any fictional horror story ever written.

 

This was more than merely an episode of a television show.  It was a social experiment in using media to manipulate and control minds, even of people who are hyper-alert to the ways of media propaganda and deception.  Even my wonderful wife(who consented to me writing this), who is always kindhearted to everyone, was drawn into the same trap as I was, in hoping Betty would answer, “Nick St. Clair.”  Excellent acting, directing, and writing from all involved, but at the same time, terrifying to see how quickly and easily our minds were drawn in a direction that we would not willingly choose to take them.

 

I am looking forward to next week’s new episode of RIVERDALE on the CW Network at Wednesday, November 15, at 8:00P.M. EST.

Sunday, October 22, 2017

Sean Frank Fallon

Sean Frank Fallon's Website Welcome, and thank you for visiting my page. I am Sean Fallon, an independent film maker, a writer, and a reviewer of theater, film, and television. From here, you can link to my short films, reviews, spoof articles, and more. You can see my LinkedIn profile at LinkedIn

Short Films

These are short films that I wrote and directed, with the exception of HOCUS POCUS which is a remake of a scene from the 1993 Disney film, the remake directed by me.

Theater Reviews

Movie Reviews

Television Reviews

Spoof Articles
These are entirely fictional articles that I wrote for an online tabloid. Some have been written as early as 2008 and may therefore contain material that is dated. Articles are listed from most recent to oldest.
Celebrity Interviews
These are mock interviews with real celebrities, using footage from real interviews, but with my own questions spliced in. Interviews are conducted either by my wife, my nephew, my friend, or me. New questions are all written by me. The new editing is all done by me using Adobe Premiere Elements 15. I do some voice impersonations. VOICE IMPERSONATIONS

Monday, October 16, 2017

WILL Episode 10


WARNING: Spoilers are included

 

The tenth and final episode of the first season of WILL brings the story together nicely.  As someone who has watched and reviewed all ten episodes, I have to say that WILL has been one of the best new shows of 2017.  While some of the subject matter makes it suitable for mature audiences only, the world would be a better place if more television contained the overall message and tone that is consistent throughout all ten episodes of WILL. 
 

 

Will rescues Alice from Richard Topcliffe’s prison, at the beginning of the episode.  Richard Topcliffe is furious to find out that Alice escaped.  When Will returns to the Burbage family, with Alice, they are happy to see them both, until Will admits his love for Alice, to her brother, Richard Burbage.

 

Will insists that Richard Topcliffe must be murdered, but Alice begs him to defeat Topcliffe by exposing him in the play, which was the original plan.  The Burbage family is initially hesitant on the idea, believing that such a strong political message behind a play puts all their lives in jeopardy.  The rest of the cast is also apprehensive, one even stating, “We are merely players.”  Richard Burbage, however, comes around to believe that the play is their best chance of defeating Richard Topcliffe, and he leads the charge in convincing the others, including his father, that this is the way to best expose Richard Topcliffe, thereby preventing Queen Elizabeth 1 from elevating Richard Topcliffe to a higher position that would make Richard Topcliffe the most politically powerful man in England.

 

Will invites Richard Topcliffe and his family to attend the play.  Richard Topcliffe accepts, under the false premise that he believes the character that represents him would portray him in a positive manner.

 

Christopher Marlowe also attends the play, having heard that his idea of the devil onstage, although figuratively, would come to fruition in this play.

 

Richard Burbage, who throughout the series has wanted that stellar breakthrough acting role is cast as the man who is to represent Richard Topcliffe.  Not only does Richard Burbage excel in this role, from the fictional acting perspective, but Mattias Inwood, the actor who plays Richard Burbage steals the show WILL in this episode, in what becomes not only a showcase for his character, but a showcase for him, in his stunningly precise replication of Richard Topcliffe’s mannerisms, selling the character both to the fictional audience on the show, and to the real audience watching at home.

 

Richard Topcliffe becomes upset when he realizes that the show is not portraying him in a positive light.  Showing tremendous courage, even Presto appears on stage, partaking in this political takedown of Richard Topcliffe.  When Alice seems to appear (whether for real or merely in Richard Topcliffe’s mind), Richard Topcliffe runs up onto the stage, demanding the show be stopped, making a total fool of himself, in front of the huge crowd, a crowd that thoroughly enjoyed the production, insuring Richard Topcliffe’s political doom.

 

After the show, Alice leaves the area, on a ship with Robert Southwell and many others.  She leaves a note behind for Will, ensuring him that she loves him and was glad to have met him, but that the path of her future lies apart from him, as she needs to fully discover herself living out her Catholic journey for this life. 

 

This was a very fitting ending to a wonderful show.  It was not the stereotypical trite ending in which the male protagonist overcomes his obstacle, and therefore wins his prize (the girl) who the show’s tone suggests he is automatically entitled to, as if she is less than a person and has no freewill or mind of her own.  Rather, Alice is shown as a likeable strong woman who, once giving her heart to God, has been transformed by His grace into someone who makes intelligent, moral, and loving decisions, including the choice not to pursue romance with a married man.  She places what is right in God’s eyes ahead of what her own fleshly desires yearn towards.   This character arc of Alice is one of the all time greatest in television history, especially to see God’s grace as a motivating factor for a character’s unmistakably noticeable positive change, on a secular show.

 

As a devout Catholic, I am happy to see how my religion and those who practice my Faith are portrayed in a very positive light throughout the entire ten episode show.  It is also great to see that a persecutor of Catholics is portrayed in an extremely negative manner throughout the entire ten episode show.  WILL also shows the incredible danger to Catholics that would exist if an anti-Catholic leader gains a prominent position of authority in a place that does not allow private citizens to carry guns.  As an American Catholic, I am not lost on the fact that the political party that opposes TRUE Catholicism is the same political party that opposes guns.  I hope more shows like WILL come along, extolling decency while appealing to a wide audience.  The writers and the cast have truly created something that is well worth your time.  Will there be a second season of WILL?  I don’t know.  As much as I would like to see more, I am thoroughly satisfied with the way the show ended.  I hope to see these cast members, again, in future shows, and I hope that these writers have more scripts produced!

 

Monday, October 9, 2017

UHF


"Put down your remote control.  Throw out your T.V. Guide." 

 
 
 
 
 
 
 
 
The 1989 Cult Classic Film UHF is still entertaining 28 years later.  Written by “Weird Al” Yankovic and Jay Levey, the humor is mostly family-friendly and timeless in its brilliance.  In fact, the central villain, R.J. Fletcher (Kevin McCarthy) reflects an attitude even more prominent in today’s mainstream media than in the media of 1989.  “…But there is one good thing about broadcasting to a town of mindless sheep.  I always know I have them exactly where I want them.  Ha, ha, ha, ha, ha.”

 

“Weird Al” Yankovic plays George Newman, a man with an incredible imagination, one that interferes with his work, causing him to bounce from job to job, until the right job finally comes along, manager of a UHF television station, owned by his Uncle Harvey (Stanley Brock.)

 

Assisted by his friend, Bob (David Bowe) , George begins work at the station.  The receptionist, Pamela Finklestein (Fran Drescher) is furious that she has not yet been promoted to news, after two years, because her bosses keep changing.  Philo (Anthony Geary) is a mysterious mad scientist, a technical engineer who lives at the station.  Noodles MacIntosh (Billy Barty) is a midget cameraman.  Lou B. Washington plays a much taller cameraman.  This is essentially the complete employee list at the UHF station, until they acquire a quirky but likeable janitor, Stanley Spadowski (Michael Richards.)   Michael Richards plays this slapstick role in such a talented manner that no actor after him has ever quite succeeded the way he has in this type of role.

 

The station plays a bunch of re-runs and is on the brink of bankruptcy.  George tries to liven it, but his new shows tank, like Uncle Nutsy’s Clubhouse, starring George Newman as Uncle Nutsy, and a show with shop teacher Joe Earley (Emo Phillips) in which Joe accidentally cuts his own finger off and has a relatively nonchalant attitude about it, given the magnitude of the situation. 

 

George’s girlfriend Teri (Victoria Jackson) breaks up with him after the distress of the station’s slow demise makes George forget to meet Teri and her parents out for a dinner that he arranged for her birthday.  This compounds George’s depression over his failure at the UHF station.  He gets to the point in which he wants to give up on the whole thing, and start drinking for the first time.  Bob convinces him that he can’t just walk out on the show, so George gives Stanley a chance to star in the show, as George and Bob head over to the bar, Bob for a beer, George for a blueberry daiquiri.

 

The UHF station is playing at the bar, as the new show, Stanley Spadowski’s Clubhouse has an instantly packed audience of kids and their parents, while also reaching popularity with the bar crowd.  As an instrumental rendition of “Battle Hymn of The Republic” plays in the background, Stanley gives a motivational speech...

 

Sometimes you just hafta take what life gives ya, 'cause life is like a mop and sometimes life gets full of dirt and crud and bugs and hairballs and stuff... you, you, you gotta clean it out. You, you, you gotta put it in here and rinse it off and start all over again and, and sometimes, sometimes life sticks to the floor so bad you know a mop, a mop, it's not good enough, it's not good enough. You, you gotta get down there, like, with a toothbrush, you know, and you gotta, you gotta really scrub 'cause you gotta get it off. You gotta really try to get it off. But if that doesn't work, that doesn't work, you can't give up. You gotta, you gotta stand right up. You, you gotta run to a window and say, ‘Hey! These floors are dirty as hell, and I'm not gonna take it anymore!’"  The bar crowd cheers, motivating George and Bob to return to the station and give Stanley that show to be his show everyday.

 

It is not long before UHF becomes number one in the ratings, beating out R.J. Fletcher’s Channel 8.  They think of ideas for some more shows to bring their station that much higher.

 

One such show, Raul’s Wild Kingdom features Raul Hernandez (Trinidad Silva) who sticks a turtle to the ceiling, shakes up an ant farm, and throws poodles out the window, claiming he is trying to make them fly, which they don’t.  This is an excellent performance by a talented actor who unfortunately passed away before all the filming was complete, thereby limiting his role in the film.

 


Another show is Wheel of Fish, hosted by George’s friend Kuni (Gedde Watanabe), the actor known for playing Long Duk Dong in Sixteen Candles.  On Wheel of Fish, a contestant spins a wheel that contains a bunch of fish.  She is given the option of either choosing the fish that her spin lands on, or choosing what is inside a box.  She chooses the box.  When the contents of the box are revealed, Kuni exclaims the results, “Nothing, absolutely nothing!  Stupid!  You’re so stupid!”

 

Things are going quite well until George’s Uncle Harvey runs himself into a gambling debt of $75,000.00.  His plan is to sell the UHF station to R.J. Fletcher.  The movie proceeds with the goal of George and friends trying to save the station, and for George to rekindle his relationship with Teri.


This movie introduces a new gourmet delicacy to the world, the Twinkie Wiener Sandwich!  This is made by taking a Twinkie, splitting it like a hot dog bun, placing the hot dog in, and then spraying easy cheese on top.  You may think that sounds completely disgusting, but don't knock it until you try it! 

 

Parodies of Raiders of the Lost Ark, Gandhi, Conan the Barbarian, Geraldo, Gone with the Wind, Treasure of the Sierra Madre, and Rambo all enhance the humor, as do the spoof commercials like Spatula City and Plots R. Us.  References to the Shining and Star Wars are also subtly made.  "Weird Al" Yankovic's band members (Jim West, Steve Jay, and Bermuda Schwartz) make a cameo appearance in a video and song parody of Dire Straits’ “Money for Nothing.” 

 

If you want to see one of the greatest movies of the 1980s, one that did not come with the same fanfare as many others, yet rivals them in quality, I highly recommend UHF, especially if you are a fan of satire and clean comedic humor.  It is worth your time!

Tuesday, August 29, 2017

WILL Episode 9


Episode 9 of WILL shows that Richard Burbage has survived the quarantine, but his friend who had contracted the illness did not survive.  Will still wants Richard Burbage to star in his new play, designed to take down Richard Topcliffe, but Richard Burbage is not yet emotionally ready.

 

Alice Burbage decides that she wants to be baptized.  Her words and actions continue to escalate in virtue and decency.  This is a fantastic depiction of the transformative power of God’s grace.  The positive change in Alice Burbage, now that she has given her heart to God, is evident and inspirational, especially when compared to who she was in some of the earlier episodes.  Her courage and confidence have greatly increased.  Her intuition and intelligence have also grown sharper, as she gives Will useful advice for his play, advice that does not involve theft, as her previous advice had.

 

Richard Topcliffe continues to torture Catholics.  By threatening to torture one man’s son, however, that man gives up the location of Robert Southwell.  A raid soon occurs, while Alice Burbage and Christopher Marlowe are present.  Alice Burbage tries to save Robert Southwell’s book that was designed for Queen Elizabeth 1 to read in hopes it will help inspire her to declare peace between Catholics and Protestants.  In Alice’s attempt, she is captured by Richard Topcliffe, partially due to Robert Southwell needing to close off a door to an escape route, to protect the remainder of the flock, a move that Christopher Marlowe does not agree with. 

 

Robert Southwell’s character is coming under question by Will, and now by Christopher Marlowe, but Alice still keeps her trust in him and his greater cause.  Different people can hold different valid opinions as to whether they agree with Robert Southwell’s continuous willingness to sacrifice the safety and lives of others, while maintaining his own safety, connected to the greater good of his message getting to Queen Elizabeth and leading to peace.  It is a fascinating ethical dilemma, applicable to the degree of sacrifices in any war.  Do some people’s ranks among the troops in a war make their lives less disposable than those of the heroes who rank below them, from the perspective of achieving the greater good?  This judgment is ultimately in God’s Hands, yet it becomes a judgment that military leaders are often forced to make. 

 

While Alice is in captivity, Christopher Marlowe attempts to plead her case before Richard Topcliffe.  This does not work, although, it does spare her some degree of torture.  Robert Southwell’s book ends up in Richard Topcliffe’s hands, but rather than inspiring him in the direction of peace, the hatred in his heart is so strong, that he chooses instead to burn the book.

 

Christopher Marlowe informs Will about Alice’s capture.  Will immediately begins his journey to Richard Topcliffe.  Richard Topcliffe meanwhile hits Alice Burbage.  Showing incredible valor and strength, moved by grace, Alice forgives him, and verbalizes that to him.  He responds by trying to choke her, which is where this episode ends, a true cliffhanger.

 

Will Will arrive in time to prevent Alice from being choked to death?  If Will arrives, in time, what will be his strategy?  Will he immediately attack Richard Topcliffe, or will he try to negotiate with him?  Richard Topcliffe is still under the impression that Will is on his side.  Will Will use that fact to his advantage?   Find out in the season finale, next Monday, Labor Day, September 4, on TNT.

 

 

 
 
 
 
 

Wednesday, August 23, 2017

PRINCESS CUT


It is wonderful to see a movie that conveys a truly great romantic love story, one that honors God, the Author of love.  We see a romance centered on trust in His guidance and direction, exemplifying His values.  We see a highly likeable courtship that requires patience, chastity, modesty, honor, respect, trust, and strong family values, virtues all rooted in Christianity, attainable by the grace of God, provided through the Holy Spirit.

 

The culture depicted in PRINCESS CUT is both spiritual and regional, the refreshing brand of Christianity that we have previously caught glimpses of in the writings of Josh Harris, the music and lifestyle of Barlowgirl, the “wait for me” convictions of Rebecca St. James, and the love story between Joel Smallbone of For King & Country and his wife, Moriah Peters.  While the level of purity exonerated in this culture may seem foreign, even among devout Christians in certain regions of America, the beauty of the relationships it yields is impossible to earnestly dispute.  Young singles interacting and connecting with each other, in the way this movie glamorizes is inspirational, encouraging, and illustrative of the highest level of decency upon which singles can manifest their sexuality.  Single hearts that desire true romance will yearn for the genuine beauty of the relationship depicted in this movie.

 

The central protagonist, Grace, is played by an amazingly talented actress named Ashley Bratcher, whose Carolina accent and wholesome smile make her perfect for this role of a Carolina girl who radiates chastity.  Grace is always modestly dressed, and conducts herself in a ladylike manner.  Her Christian faith is at the center of her life, and she lets her light shine.  She seeks someone to love, someone who is marriage oriented, shares her love for God, and who will cherish her virtues. 

 

Rusty Martin, Sr. gives a powerful performance as Jim, Grace’s father, a devout Christian who shows love towards Grace, towards his wife, and towards his two sons.  He is faced with the challenge of genuinely wanting to see his daughter fall in love, yet an all too realistic awareness that there are few genuinely decent men out there who would truly treat her with the degree of respect and human dignity, fitting for a child of God.  Jim wisely advises Grace to trust in God’s timing for the right person to come around, while working on becoming all who she is meant to be, in Christ, in the meantime.  Jim considers it to be his sacred duty to protect his daughter’s chastity, while Grace shows loving trust and respect in her father’s good judgment on the matter.  This father/daughter dynamic may seem old fashioned to some, and completely foreign to others, but daughters who love and respect the fathers who love and cherish them become wives whose husbands are beyond grateful for the way his wife’s parents raised her.

 

Grace becomes a relatable character to all older siblings, who sometimes displace our anger onto our younger siblings, and say something hurtful that we deeply regret, the moment the words leave our mouths.   Grace has two younger brothers, and although loving towards them, has a brief moment in which she speaks very unkindly to the youngest brother, mad at something he did by accident.   Talented young actor Evan Brinkman plays Drew, the younger brother whose temporary emotional pain created by his sister’s harsh words is clearly radiated in his countenance.  The movie’s tone magnificently makes the viewer simultaneously feel for both Grace and Drew, at that moment, and sends a joyful sense of relief to the viewers, at the moment Grace and Drew reconcile, both being highly likeable characters, throughout the movie.

 

By God’s grace, Paul Munger, the writer, producer, and director has truly created an amazing movie with an excellent cast that also includes stellar performances from Joseph Gray, Jenn Gotzon, Cory Assink, and Kate MacCallum whose roles I will not go into detail about, in that I do not want to create any spoilers for this movie, available on Pureflix and DVD, that I highly recommend for all audiences of all ages, without exception.  For young single men and women in particular, this movie, by God’s grace, has the power to help put you on the path you are meant to be on, to lead you to the person who you are meant to be with.  It is definitely worth your time.
 
 
 
 
 
 

Monday, August 21, 2017

WILL Episode 8


“Some fight with the sword.  You fight with the pen.  We must all be the hero we were born to be,” is advice that Will receives, in Episode 8 of WILL, advice that we should all take, as all are called to use our blessings to make the world a better place.  While we may be in different places, and different times, we are all called to trust God’s grace to transform us into the best versions of ourselves, most magnifying our own unique gifts that are meant to be abundantly shared with the world.

 

Will decides that he is going to write a play for Richard Topcliffe, but that it is going to be a play that exposes Richard Topcliffe for the vile man that he is.  Will deceives Richard Topcliffe into giving him an interview, one that gives Will more insight into the mind of that terrible person.

 

Alice Burbage becomes a far more likeable character, after she has severed ties with Will.  She stands up for herself, rejecting Will, and by grace, takes a stand for God, under the positive influence of Robert Southwell.  Will confronts Robert Southwell, accusing him of letting other people become martyrs for Southwell’s cause, suggesting that Southwell is really crossing a line by risking Alice Burbage’s safety.  Robert Southwell’s response is on a higher spiritual level, explaining that Alice’s biggest danger was losing her soul, and now she is safer than ever.    It is fascinating that Will’s deficiency of faith puts him constantly on the offensive, against Robert Southwell, a rather common attitude that many, but not all lapsed (fallen-away) Catholics tend to take towards the devout, perhaps to attempt to justify to themselves, their poor decision to walk away from God.

 

The inner turmoil of those who have turned their back on God only grows worse and worse, the more they deny their need for Him.  Christopher Marlowe continues his dangerous decent into darkness, to the point where he believed he was irreparably damned, an attitude held only by those who are unaware of the bountiful mercy of the all-loving God, unaware that the love of Christ is more powerful than all our sins.  Marlowe hits rock bottom, but finds that life as a Satanist is empty and unfulfilling.  He finally realizes that he needs God. Marlowe approaches Will, indicating to Will, that he saw God’s presence in Will’s works, and wants to meet Robert Southwell, to meet God in the Sacrament of Reconciliation (Confession.)  With Presto’s influence, Will agrees to help Marlowe.

 

Will presents his idea about the politically charged play to Richard Burbage who initially likes the play, until Will explains that it is an attack against the most dangerous man in England, Richard Topcliffe.  Richard Burbage rejects the idea, but Will continues to try to persuade him, asking Richard Burbage about what he believes in.  Richard Burbage, to his credit, is honest in naming “women,” as the top thing on his list, which is consistent with how he has behaved throughout the series.    Unlike Will, at least Richard Burbage is aware of who or what he worships.  When Richard Burbage’s friend contracts the plague, and needs to go to the place of quarantine, a place that often leads to death, Richard Burbage decides to join his friend, much to the horror of both Will and Alice, who potentially may reunite over their shared pain, for more than just that moment.

 

Will Will and Alice get back together?  Will Christopher Marlowe truly accept God’s grace, love, mercy, and forgiveness?  Will Will’s play about Richard Topcliffe go on?  Will Richard Burbage avoid contracting the plague, and therefore survive the quarantine?  I hope so, as Mattias Inwood has been wonderful in that role, and I would like to see him continue in the final two episodes of the season.  The answers may be found next Monday, August 28, on TNT, in Episode 9, which I believe will also be worth your time.   


CAGED NO MORE


CAGED NO MORE is a movie designed both to raise awareness of the prevalence of human trafficking, and to motivate action to help us all work together to put a stop to this modern day slavery that still exits both in America, and globally. 

 

The excellent writing, directing, casting, and acting communicate the message in a way that truly touches the minds and hearts of the viewers.  Unlike some other movies that tackle human trafficking, there are no on-screen rape scenes, and the actresses are never scantily clad or otherwise objectified.  This conservative approach to the topic actually enhances the reality of the situation, in that male viewers can more clearly see these women as having the human dignity and inherent worth as people who are loved by God.  This is a huge difference from the counterproductive method of some other human trafficking movies that in an earnest attempt to convey reality have instead provoked male viewers to perceive the actresses the exact way the traffickers do, as objects to be lusted after, rather than as the precious human beings who they truly are. 

 

Cassidy Gifford, who phenomenally portrays trafficking victim Skye, is able to communicate the terror of Skye’s experience through facial expressions that believably convey fear and trauma.   When, in her brothel room, Skye is approached by a well-intentioned young man who speaks to her in Greek, a language she doesn’t understand, her instinct is to assume he is there to rape her, so she cries, and remains unreceptive to his attempt to communicate with her.  As a viewer, your heart breaks for her, realizing that she has been so emotionally wounded that even a kind vocal tone does not dissuade her from assuming the worst, as she appears to have lost hope.

 

Actress/singer Abigail Duhon also brilliantly conveys her character’s emotions through facial expressions and vocal tones, as she portrays Skye’s younger sister, Elle, who is being groomed for trafficking, yet suspects that something is not quite right about the “modeling contest,” she has been told she is preparing for.  Abigail Duhon’s strong acting brings Elle’s pure and innocent personality to life in a convincing way that sends a strong and heart-wrenching message about just who these trafficking victims really are, how they can be our friends and relatives, human beings with dreams, desires, and goals for excellence in life, before they were targeted for such cruel inhumanity. 

 

Kevin Sorbo, who is double cast as two brothers, thrives in both roles.  He portrays Richard, the "good" brother who is an American philanthropist, and Jack, the villainous brother, who has individually brought both his daughters (Skye and Elle) to Greece, in hopes of selling them into human trafficking.  Sorbo plays both roles in such a strong way that these two brothers are always distinctly different, yet both remain believable at all times.

 

Alan Powell plays the role of Will, who is Richard’s son, who spearheads the quest to rescue Skye and Elle, his younger cousins who he never met, due to the estrangement between his father and their father.   Will is an extremely likeable character, played so well, and with such a brave and noble intent that the viewing audience can’t help but want to see him succeed in his potentially self-sacrificial mission.

 

Other stand-out performances come from Loretta Devine as Aggie and Debra Wilson as Leona.  Aggie is the movie’s most overtly devout Christian, constantly praying and placing her trust in the Lord, even during the most difficult times.   She was the primary caregiver for Skye and Elle, before they were taken to Greece by their father.  Her courage and determination are highly admirable.   Leona is Aggie’s niece who is far more straight-laced than Aggie, sometimes shocked by Aggie’s direct, risky, yet always well-intentioned behavior.  I hope to see Loretta Devine and Debra Wilson together again in future movies, because their screen chemistry is first-rate.  As a fan of the 1980s sitcom, Gimme A Break, I found the dynamics between Loretta Devine and Debra Wilson to be reminiscent of those between Nell Carter and Thelma Hopkins, to the point where I felt as if I was watching new material from my all-time favorite female comedy duo.

 

This movie gives publicity to organizations that are actively engaged in fighting against human trafficking domestically and globally, and how we can become involved in this battle against this grave evil that targets our daughters, sisters, cousins, friends, students, and other fellow human beings who share equality of human dignity with us all. 

 

I highly recommend CAGED NO MORE, even for younger teen audiences, provided they are watching with parental supervision.  The movie is currently streaming on Pureflix, and available in other formats, as well.  Please also visit the movie’s website at http://www.cagednomoremovie.com/ to find resources to help get involved in this epic fight against modern day slavery, a fight that can be won, by God’s grace, as we let His light shine through us.